New Inspiration

I have been working on my floor slowly over the summer but in the past few weeks I have been noticing more black and white patterns in my Sunday paper. Not the black and white of the newsprint but the kind of black and white that reminds me of my floor. Here is an ad by MAXALTO:

maxalto ad
   From the Valentino site, I learned that the Creative Directors are  Maria Grazia Chiuri & Pierpaolo Piccioli .  I took a look at the  Valentino Instagram  and found that Chiuri & Pierpeolo's collection was inspired by this illustration by  Joseph Larkowsky . His illustration below:

 

From the Valentino site, I learned that the Creative Directors are Maria Grazia Chiuri & Pierpaolo Piccioli.

I took a look at the Valentino Instagram and found that Chiuri & Pierpeolo's collection was inspired by this illustration by Joseph Larkowsky. His illustration below:

Valentino via @josayhef

Larkowsky was in turn inspired by Emilie Flöge, a fashion designer and business woman whose style fell squarely in the Wiener Werkstãtte

This adventure was totally unexpected and fun. It is similar to the learned new word that you seem to read everywhere after learning it...I am finding inspiration in so many new places. Now back to my floor. I am almost out of duck tape...

She was also a muse for Gustave Klimt, also hashtagged by Larkowsky--a nod to both Klimt and Flöge.

Emilie Flōge

Emilie Flōge

He also follows I Have This Thing With Floors --I wrote about them a few posts back--and there is also a inspirational pattern there.

Thing With Floors

 

 

 

Another cool one by Melanie Flood



The Current State of the Art Market Q&A with Melanie Flood of Melanie Flood Projects

1. Please explain to us about Melanie Flood Projects…How did it start it? Why in your house?

I began Melanie Flood Projects over the summer of 2008 because I felt that artists and photographers (like myself) needed a new style of venue to showcase their art. I was tired of it being utterly impossible for a young, talented artist to display their work, other than online or in crowded group shows that require a participation fee.

The Idea came to me when I was in the position of Managing Editor at Zingmagazine. We were involved in Art Chicago 2002 and while visiting I came across stay at home mothers that ran public galleries from their homes. These women were artists, curators, collectors, and they didn’t allow motherhood prevent them from being involved with what they loved. I was influenced most by a young woman who had Amy Sillman watercolors displayed on her fridge with magnets. Made me think differently about he way art should and could be displayed.

So based on the inspiration from these women, I decided to base the gallery from my home and I am fortunate enough to live in a lovely brownstone in a great part of Brooklyn. I am also drawn to the idea of the home as a social hub apart from public spaces such as bars, clubs, galleries, & cafes.

2. In my opinion you are pioneering the new concept of private dealing @ home…Is there a reason why?

I believe that in the environment of a gallery or museum the real importance of the artist is lost in the pressures of the “gallery” experience. By removing that factor I believe I am placing all the emphasis on the artist, using the comfortable and welcoming environment of a living space to ease viewers. I hope that in inviting people to view art in these circumstances, where art eventually ends up, will remove the formal pressures of the “art world” and will help people focus on art in it’s most natural state or form.

3. What is the advantage of it? Disadvantages? Please explain in detail.

I am not affected by the immense overhead of having a gallery space. Because I don’t have to worry about rent, making money is not at the forefront of my mind, this frees up the types of art I show. I also get to display art in my most favorite way-among domestic life, my own personal decorations. It’s like a revolving art collection! Another advantage is being able to have many styles of events other than showing art on walls. One example was a party in December where I invited 17 artists to come over for one evening and sell their wares; books, mags, zines, prints, etc…

More via Melanie Flood Projects...







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