be kind, rewind...

Moving gives you the distance to take stock of things. Your friends are there but not within reach of an easy coffee each week. You have to rewind on your own and continue "to do what you love more than you love yourself" (thank you Elizabeth Gilbert).  

I have been thinking a lot about social media and how to best use it to learn and to connect and to this end, I have been talking to people about blogs and listening to podcasts about blogs and reading and reading and reading about blogs. All suggest that your blog is the engine of your work as a(n) _______. It is a place to share the content behind who you are and what you are interested in with anyone who will listen.

So....wait for it...

The blog is back and I am plan to post every two weeks on a Friday. I will stop posting on my crafty blog, lunulecraft.blogspot.com and consolidate content with www.lunule.com/lunuleblog--There is a lot of overlap anyway. 

My first post on May 1st will be about a floor installation that I am working on. I will tap into Sol Lewitt and 70's decorating magazines. 

Let me know what you think, send your inspirations and ideas. By following, you can let me know that you like what you are seeing and reading..


Happy Spring!

 

Another cool one by Melanie Flood



The Current State of the Art Market Q&A with Melanie Flood of Melanie Flood Projects

1. Please explain to us about Melanie Flood Projects…How did it start it? Why in your house?

I began Melanie Flood Projects over the summer of 2008 because I felt that artists and photographers (like myself) needed a new style of venue to showcase their art. I was tired of it being utterly impossible for a young, talented artist to display their work, other than online or in crowded group shows that require a participation fee.

The Idea came to me when I was in the position of Managing Editor at Zingmagazine. We were involved in Art Chicago 2002 and while visiting I came across stay at home mothers that ran public galleries from their homes. These women were artists, curators, collectors, and they didn’t allow motherhood prevent them from being involved with what they loved. I was influenced most by a young woman who had Amy Sillman watercolors displayed on her fridge with magnets. Made me think differently about he way art should and could be displayed.

So based on the inspiration from these women, I decided to base the gallery from my home and I am fortunate enough to live in a lovely brownstone in a great part of Brooklyn. I am also drawn to the idea of the home as a social hub apart from public spaces such as bars, clubs, galleries, & cafes.

2. In my opinion you are pioneering the new concept of private dealing @ home…Is there a reason why?

I believe that in the environment of a gallery or museum the real importance of the artist is lost in the pressures of the “gallery” experience. By removing that factor I believe I am placing all the emphasis on the artist, using the comfortable and welcoming environment of a living space to ease viewers. I hope that in inviting people to view art in these circumstances, where art eventually ends up, will remove the formal pressures of the “art world” and will help people focus on art in it’s most natural state or form.

3. What is the advantage of it? Disadvantages? Please explain in detail.

I am not affected by the immense overhead of having a gallery space. Because I don’t have to worry about rent, making money is not at the forefront of my mind, this frees up the types of art I show. I also get to display art in my most favorite way-among domestic life, my own personal decorations. It’s like a revolving art collection! Another advantage is being able to have many styles of events other than showing art on walls. One example was a party in December where I invited 17 artists to come over for one evening and sell their wares; books, mags, zines, prints, etc…

More via Melanie Flood Projects...







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