“Drawing teaches us to observe and if we were more visually aware in this country, our environment would not be in such a mess. And possibly there might be less crime and violence if we could notice and enjoy what we see."
Letter published in The Guardian, November 1995
I want to engage the physical properties of space and architecture with works that explore form and content (or, form versus content) using a mundane, mass-produced material—sign vinyl. The slow and labor-intensive process of hand-cutting the vinyl and carefully applying it to a wall or window subverts the commercial nature of the material.