Backtracking: thickless


The show was fantastic. It was fun to do a large-scale work and meet other Toronto artists. The installation took about 5 days from start to finish. I thought that it would go faster. I spent most of my days a top a 15 foot ladder-no small feat for someone with a fear of heights-the ipod helped. Don't look down!



Most of the drawings were cut in the studio but some were cut at 224 on the glass or on a mat. Cat O'Neil photographed the show and I asked her to do some close ups of flatless. So, here goes...images from the last day of cutting